Gallery
I have been described as a 'Painters Painter'. I think this means that there is intrinsic beauty in the mark making and the design elements - a process I use to get the essence of the subject matter.
Sometimes the immediate quality of a work can be as a result of a 'happy accident'. You mix a colour by mistake and put in on, you rub something out and think 'you know what I like that' and you keep it. Remembering what you did for another day.
There are also times when you struggle with a painting and feel you're losing it and not sure what to do - at these times you just try anything - at these moments the 'happy accident' can work again.
For me a painting needs to work on a number of levels - subject matter, size, mark making, colour and design. I need to like the subject and I get real joy from creating a work that reflects how I feel about it.
Sometimes the immediate quality of a work can be as a result of a 'happy accident'. You mix a colour by mistake and put in on, you rub something out and think 'you know what I like that' and you keep it. Remembering what you did for another day.
There are also times when you struggle with a painting and feel you're losing it and not sure what to do - at these times you just try anything - at these moments the 'happy accident' can work again.
For me a painting needs to work on a number of levels - subject matter, size, mark making, colour and design. I need to like the subject and I get real joy from creating a work that reflects how I feel about it.
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Beaches and the coast
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Figures
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New Work - Jockeys
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New Work - Equestrian
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Landscapes - Snowdonia
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Landscapes - Lake District
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Landscapes - Isle Of Skye
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Landscapes - Gloucestershire
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Archive - Portraits
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Archive - Studies
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Archive -Drawings and Sketches
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Archive - Modern Dance
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Archive - Coast and Beach
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Archive - Equestrian
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